hero, raised to divinity, with sempiternal youth.  Will Your Majesty
allow yourself to be led by Pallas Athene and your mother Alcmene to your
nuptials with Hebe?"

"Why not?"  said Euergetes.  "Only the Hebe must be beautiful.  But one
thing must be considered; how are we to get the cistern from your
father's house at Corinth to this place by to-morrow or next day?  Such a
group cannot be posed from memory without the original to guide us; and
though the story runs that the statue of Serapis flew from Sinope to
Alexandria, and though there are magicians still at Memphis--"

"We shall not need them," interrupted Publius, "while I was staying as a
guest in the house of my friend's parents--which is altogether more
magnificent than the old castle of King Gyges at Sardis--I had some gems
engraved after this lovely group, as a wedding-present for my sister.
They are extremely successful, and I have them with me in my tent."

"Have you a sister?"  asked the queen, leaning over towards the Roman.
"You must tell me all about her."

"She is a girl like all other girls," replied Publius, looking down at
the ground, for it was most repugnant to his feelings to speak of his
sister in the presence of Euergetes.

"And you are unjust like all other brothers," said Cleopatra smiling,
"and I must hear more about her, for"--and she whispered the words and
looked meaningly at Publius--"all that concerns you must interest me."

During this dialogue the royal brothers had addressed themselves to
Lysias with questions as to the marriage of Heracles and Hebe, and all
the company were attentive to the Greek as he went on: "This fine work
does not represent the marriage properly speaking, but the moment when
the bridegroom is led to the bride.  The hero, with his club on his
shoulder, and wearing the lion's skin, is led by Pallas Athene, who, in
performing this office of peace, has dropped her spear and carries her
helmet in her hand; they are accompanied by his mother Alcmene, and are
advancing towards the bride's train.  This is headed by no less a
personage than Apollo himself, singing the praises of Hymenaeus to a
lute.  With him walks his sister Artemis and behind them the mother of
Hebe, accompanied by Hermes, the messenger of the gods, as the envoy of
Zeus.  Then follows the principal group, which is one of the most lovely
works of Greek art that I am acquainted with.  Hebe comes forward to meet
her bridegroom, gently led on by Aphrodite, the queen of love.  Peitho,
the goddess of persuasion, lays her hand on the bride's arm,
imperceptibly urging her forward and turning away her face; for what she
had to say has been said, and she smiles to herself, for Hebe has not
turned a deaf ear to her voice, and he who has once listened to Peitho
must do what she desires."

"And Hebe?"  asked Cleopatra.

"She casts down her eyes, but lifts up the arm on which the hand of
Peitho rests with a warning movement of her fingers, in which she holds
an unopened rose, as though she would say; 'Ah! let me be--I tremble at
the man'--or ask: 'Would it not be better that I should remain as I am
and not yield to your temptations and to Aphrodite's power?'  Oh! Hebe is
exquisite, and you, O Queen!  must represent her!"

"I!"  exclaimed Cleopatra.  "But you said her eyes were cast down."

"That is from modesty and timidity, and her gait must also be bashful and
maidenly.  Her long robe falls to her feet in simple folds, while Peitho
holds hers up saucily, between her forefinger and thumb, as if stealthily
dancing with triumph over her recent victory.  Indeed the figure of
Peitho would become you admirably."

"I think I will represent Peitho," said the queen interrupting the
Corinthian.  "Hebe is but a bud, an unopened blossom, while I am a
mother, and I flatter myself I am something of a philosopher--"

"And can with justice assure yourself," interrupted Aristarchus, "that
with every charm of youth you also possess the characters attributed to
Peitho, the goddess, who can work her spells not only on the heart but on
the intellect also.  The maiden bud is as sweet to look upon as the rose,
but he who loves not merely color but perfume too--I mean refreshment,
emotion and edification of spirit--must turn to the full-blown flower; as
the rose--growers of lake Moeris twine only the buds of their favorite
flower into wreaths and bunches, but cannot use them for extracting the
oil of imperishable fragrance; for that they need the expanded blossom.
Represent Peitho, my Queen! the goddess herself might be proud of such a
representative."

"And if she were so indeed," cried Cleopatra, "how happy am I to hear
such words from the lips of Aristarchus.  It is settled--I play Peitho.
My companion Zoe may take the part of Artemis, and her grave sister that
of Pallas Athene.  For the mother's part we have several matrons to
choose from; the eldest daughter of Epitropes appears to me fitted for
the part of Aphrodite; she is wonderfully lovely."

"Is she stupid too?"  asked Euergetes.  "That is also an attribute of the
ever-smiling Cypria."

"Enough so, I think, for our purpose," laughed Cleopatra.  "But where are
we to find such a Hebe as you have described, Lysias?  The daughter of
Alimes the Arabarch is a charming child."

"But she is brown, as brown as this excellent wine, and too thoroughly
Egyptian," said the high-steward, who superintended the young Macedonian
cup-bearers; he bowed deeply as he spoke, and modestly drew the queen's
attention to his own daughter, a maiden of sixteen.  But Cleopatra
objected, that she was much taller than herself, and that she would have
to stand by the Hebe, and lay her hand on her arm.

Other maidens were rejected on various grounds, and Euergetes had already
proposed to send off a carrier-pigeon to Alexandria to command that some
fair Greek girl should be sent by an express quadriga to Memphis--where
the dark Egyptian gods and men flourish, and are more numerous than the
fair race of Greeks--when Lysias exclaimed:

"I saw to-day the very girl we want, a Hebe that might have stepped out
from the marble group at my father's, and have been endued with life and
warmth and color by some god.  Young, modest, rose and white, and just
about as tall as Your Majesty.  If you will allow me, I will not tell you
who she is, till after I have been to our tent to fetch the gems with the
copies of the marble."

"You will find them in an ivory casket at the bottom of my clothes-
chest," said Publius; "here is the key."

"Make haste," cried the queen, "for we are all curious to hear where in
Memphis you discovered your modest, rose and white Hebe."




CHAPTER X.

An hour had slipped by with the royal party, since Lysias had quitted the
company; the wine-cups had been filled and emptied many times; Eulaeus
had rejoined the feasters, and the conversation had taken quite another
turn, since the whole of the company were not now equally interested in
the same subject; on the contrary, the two kings were discussing with
Aristarchus the manuscripts of former poets and of the works of the
sages, scattered throughout Greece, and the ways and means of obtaining
them or of acquiring exact transcripts of them for the library of the
Museum.  Hierax was telling Eulaeus of the last Dionysiac festival, and
of the representation of the newest comedy in Alexandria, and Eulaeus
assumed the appearance--not unsuccessfully--of listening with both ears,
interrupting him several times with intelligent questions, bearing
directly on what he had said, while in fact his attention was exclusively
directed to the queen, who had taken entire possession of the Roman
Publius, telling him in a low tone of her life--which was consuming her
strength--of her unsatisfied affections, and her enthusiasm for Rome and
for manly vigor.  As she spoke her cheeks glowed and her eyes sparkled,
for the more exclusively she kept the conversation in her own hands the
better she thought she was being entertained; and Publius, who was
nothing less than talkative, seldom interrupted her, only insinuating a
flattering word now and then when it seemed appropriate; for he
remembered the advice given him by the anchorite, and was desirous of
winning the good graces of Cleopatra.

In spite of his sharp ears Eulaeus could understand but little of their
whispered discourse, for King Euergetes' powerful voice sounded loud
above the rest of the conversation; but Eulaeus was able swiftly to
supply the links between the disjointed sentences, and to grasp the
general sense, at any rate, of what she was saying.  The queen avoided
wine, but she had the power of intoxicating herself, so to speak, with
her own words, and now just as her brothers and Aristarchus were at the
height of their excited and eager question and answer--she raised her
cup, touched it with her lips and handed it to Publius, while at the same
time she took hold of his.

The young Roman knew well enough all the significance of this hasty
action; it was thus that in his own country a woman when in love was wont
to exchange her cup with her lover, or an apple already bitten by her
white teeth.

Publius was seized with a cold shudder--like a wanderer who carelessly
pursues his way gazing up at the moon and stars, and suddenly perceives
an abyss yawning; at his feet.  Recollections of his mother and of her
warnings against the seductive wiles of the Egyptian women, and
particularly of this very woman, flashed through his mind like lightning;
she was looking at him--not royally by any means, but with anxious and
languishing gaze, and he would gladly have kept his eyes fixed on the
ground, and have left the cup untouched; but her eye held his fast as
though fettering it with ties and bonds; and to put aside the cup seemed
to the most fearless son of an unconquered nation a deed too bold to be
attempted.  Besides, how could he possibly repay this highest favor with
an affront that no woman could ever forgive--least of all a Cleopatra?

Aye, many a life's happiness is tossed away and many a sin committed,
because the favor of women is a grace that does honor to every man, and
that flatters him even when it is bestowed by the unloved and unworthy.
For flattery is a key to the heart, and when the heart stands half open
the voice of the tempter is never wanting to whisper: "You will hurt her
feelings if you refuse."

These were the deliberations which passed rapidly and confusedly through
the young Roman's agitated brain, as he took the queen's cup and set his
lips to the same spot that hers had touched.  Then, while he emptied the
cup in long draughts, he felt suddenly seized by a deep aversion to the
over-talkative, overdressed and capricious woman before him, who thus
forced upon him favors for which he had not sued; and suddenly there rose
before his soul the image, almost tangibly distinct, of the humble water-
bearer; he saw Klea standing before him and looking far more queenly as,
proud and repellent, she avoided his gaze, than the sovereign by his side
could ever have done, though crowned with a diadem.

Cleopatra rejoiced to mark his long slow draught, for she thought the
Roman meant to imply by it that he could not cease to esteem himself
happy in the favor she had shown him.  She did not take her eyes off him,
and observed with pleasure that his color changed to red and white; nor
did she notice that Eulaeus was watching, with a twinkle in his eyes, all
that was going on between her and Publius.  At last the Roman set down
the cup, and tried with some confusion to reply to her question as to how
he had liked the flavor of the wine.

"Very fine--excellent--" at last he stammered out, but he was no longer
looking at Cleopatra but at Euergetes, who just then cried out loudly:

"I have thought over that passage for hours, I have given you all my
reasons and have let you speak, Aristarchus, but I maintain my opinion,
and whoever denies it does Homer an injustice; in this place 'siu' must
be read instead of 'iu'."

Euergetes spoke so vehemently that his voice outshouted all the other
guests; Publius however snatched at his words, to escape the necessity
for feigning sentiments he could not feel; so he said, addressing himself
half to the speaker and half to Cleopatra:

"Of what use can it be to decide whether it is one or the other--'iu' or
'siu'.  I find many things justifiable in other men that are foreign to
my own nature, but I never could understand how an energetic and vigorous
man, a prudent sovereign and stalwart drinker--like you, Euergetes--can
sit for hours over flimsy papyrus-rolls, and rack his brains to decide
whether this or that in Homer should be read in one way or another."

"You exercise yourself in other things," replied Euergetes.  "I consider
that part of me which lies within this golden fillet as the best that I
have, and I exercise my wits on the minutest and subtlest questions just
as I would try the strength of my arms against the sturdiest athletes.
I flung five into the sand the last time I did so, and they quake now
when they see me enter the gymnasium of Timagetes.  There would be no
strength in the world if there were no obstacles, and no man would know
that he was strong if he could meet with no resistance to overcome.  I
for my part seek such exercises as suit my idiosyncrasy, and if they are
not to your taste I cannot help it.  If you were to set these excellently
dressed crayfish before a fine horse he would disdain them, and could not
understand how foolish men could find anything palatable that tasted so
salt.  Salt, in fact, is not suited to all creatures!  Men born far from
the sea do not relish oysters, while I, being a gourmand, even prefer to
open them myself so that they may be perfectly fresh, and mix their
liquor with my wine."

"I do not like any very salt dish, and am glad to leave the opening of
all marine produce to my servants," answered Publius.  "Thereby I save
both time and unnecessary trouble."

"Oh! I know!"  cried Euergetes.  "You keep Greek slaves, who must even
read and write for you.  Pray is there a market where I may purchase men,
who, after a night of carousing, will bear our headache for us?  By the
shores of the Tiber you love many things better than learning."

"And thereby," added Aristarchus, "deprive yourselves of the noblest and
subtlest of pleasures, for the purest enjoyment is ever that which we
earn at the cost of some pains and effort."

"But all that you earn by this kind of labor," returned Publius, "is
petty and unimportant.  It puts me in mind of a man who removes a block
of stone in the sweat of his brow only to lay it on a sparrow's feather
in order that it may not be carried away by the wind."

"And what is great--and what is small?"  asked Aristarchus.  "Very
opposite opinions on that subject may be equally true, since it depends
solely on us and our feelings how things appear to us--whether cold or
warm; lovely or repulsive--and when Protagoras says that 'man is the
measure of all things,' that is the most acceptable of all the maxims of
the Sophists; moreover the smallest matter--as you will fully appreciate
--acquires an importance all the greater in proportion as the thing is
perfect, of which it forms a part.  If you slit the ear of a cart-horse,
what does it signify?  but suppose the same thing were to happen to a
thoroughbred horse, a charger that you ride on to battle!

"A wrinkle or a tooth more or less in the face of a peasant woman matters
little, or not at all, but it is quite different in a celebrated beauty.
If you scrawl all over the face with which the coarse finger of the
potter has decorated a water-jar, the injury to the wretched pot is but
small, but if you scratch, only with a needle's point, that gem with the
portraits of Ptolemy and Arsinoe, which clasps Cleopatra's robe round her
fair throat, the richest queen will grieve as though she had suffered
some serious loss.

"Now, what is there more perfect or more worthy to be treasured than the
noblest works of great thinkers and great poets.

"To preserve them from injury, to purge them from the errors which, in
the course of time, may have spotted their immaculate purity, this is our
task; and if we do indeed raise blocks of stone it is not to weight a
sparrow's feather that it may not be blown away, but to seal the door
which guards a precious possession, and to preserve a gem from injury.

"The chatter of girls at a fountain is worth nothing but to be wafted
away on the winds, and to be remembered by none; but can a son ever deem
that one single word is unimportant which his dying father has bequeathed
to him as a clue to his path in life?  If you yourself were such a son,
and your ear had not perfectly caught the parting counsels of the dying-
how many talents of silver would you not pay to be able to supply the
missing words?  And what are immortal works of the great poets and
thinkers but such sacred words of warning addressed, not to a single
individual, but to all that are not barbarians, however many they maybe.
They will elevate, instruct, and delight our descendants a thousand years
hence as they do us at this day, and they, if they are not degenerate and
ungrateful will be thankful to those who have devoted the best powers of
their life to completing and restoring all that our mighty forefathers
have said, as it must have originally stood before it was mutilated, and
spoiled by carelessness and folly.

"He who, like King Euergetes, puts one syllable in Homer right, in place
of a wrong one, in my opinion has done a service to succeeding
generations--aye and a great service."

"What you say," replied Publius, "sounds convincing, but it is still not
perfectly clear to me; no doubt because I learned at an early age to
prefer deeds to words.  I find it more easy to reconcile my mind to your
painful and minute labors when I reflect that to you is entrusted the
restoration of the literal tenor of laws, whose full meaning might be
lost by a verbal error; or that wrong information might be laid before me
as to one single transaction in the life of a friend or of a blood-
relation, and it might lie with me to clear him of mistakes and
misinterpretation."

"And what are the works of the great singers of the deeds of the heroes-
of the writers of past history, but the lives of our fathers related
either with veracious exactness or with poetic adornments?"  cried
Aristarchus.  "It is to these that my king and companion in study devotes
himself with particular zeal."

"When he is neither drinking, nor raving, nor governing, nor wasting his
time in sacrificing and processions," interpolated Euergetes.  "If I had
not been a king perhaps I might have been an Aristarchus; as it is I am
but half a king--since half of my kingdom belongs to you, Philometor--and
but half a student; for when am I to find perfect quiet for thinking and
writing?  Everything, everything in me is by halves, for I, if the scale
were to turn in my favor"--and here he struck his chest and his forehead,
"I should be twice the man I am.  I am my whole real self nowhere but at
high festivals, when the wine sparkles in the cup, and bright eyes flash
from beneath the brows of the flute-players of Alexandria or Cyrene--
sometimes too perhaps in council when the risk is great, or when there is
something vast and portentous to be done from which my brother and you
others, all of you, would shrink--nay perhaps even the Roman.  Aye!  so
it is--and you will learn to know it."

Euergetes had roared rather than spoken the last words; his cheeks were
flushed, his eyes rolled, while he took from his head both the garland of
flowers and the golden fillet, and once more pushed his fingers through
his hair.

His sister covered her ears with her hands, and said: "You positively
hurt me!  As no one is contradicting you, and you, as a man of culture,
are not accustomed to add force to your assertions, like the Scythians,
by speaking in a loud tone, you would do well to save your metallic voice
for the further speech with which it is to be hoped you will presently
favor us.  We have had to bow more than once already to the strength of
which you boast--but now, at a merry feast, we will not think of that,
but rather continue the conversation which entertained us, and which had
begun so well.  This eager defence of the interests which most delight
the best of the Hellenes in Alexandria may perhaps result in infusing
into the mind of our friend Publius Scipio--and through him into that of
many young Romans--a proper esteem for a line of intellectual effort
which he could not have condemned had he not failed to understand it
perfectly.

"Very often some striking poetical turn given to a subject makes it,
all at once, clear to our comprehension, even when long and learned
disquisitions have failed; and I am acquainted with such an one, written
by an anonymous author, and which may please you--and you too,
Aristarchus.  It epitomizes very happily the subject of our discussion.
The lines run as follows:

"Behold, the puny Child of Man
Sits by Time's boundless sea,
And gathers in his feeble hand
Drops of Eternity.

"He overhears some broken words
Of whispered mystery
He writes them in a tiny book
And calls it 'History!'

"We owe these verses to an accomplished friend; another has amplified the
idea by adding the two that follow:

"If indeed the puny Child of Man
Had not gathered drops from that wide sea,
Those small deeds that fill his little span
Had been lost in dumb Eternity.

"Feeble is his hand, and yet it dare
Seize some drops of that perennial stream;
As they fall they catch a transient gleam--
Lo!  Eternity is mirrored there!

"What are we all but puny children?  And those of us who gather up the
drops surely deserve our esteem no less than those who spend their lives
on the shore of that great ocean in mere play and strife--"

"And love," threw in Eulaeus in a low voice, as he glanced towards
Publius.

"Your poet's verses are pretty and appropriate," Aristarchus now said,
"and I am very happy to find myself compared to the children who catch
the falling drops.  There was a time--which came to an end, alas! with
the great Aristotle--when there were men among the Greeks, who fed the
ocean of which you speak with new tributaries; for the gods had bestowed
on them the power of opening new sources, like the magician Moses, of
whom Onias, the Jew, was lately telling us, and whose history I have read
in the sacred books of the Hebrews.  He, it is true--Moses I mean--only
struck water from the rock for the use of the body, while to our
philosophers and poets we owe inexhaustible springs to refresh the mind
and soul.  The time is now past which gave birth to such divine and
creative spirits; as your majesties' forefathers recognized full well
when they founded the Museum of Alexandria and the Library, of which I am
one of the guardians, and which I may boast of having completed with your
gracious assistance.  When Ptolemy Soter first created the Museum in
Alexandria the works of the greatest period could receive no additions in
the form of modern writings of the highest class; but he set us--children
of man, gathering the drops--the task of collecting and of sifting them,
of eliminating errors in them--and I think we have proved ourselves equal
to this task.

"It has been said that it is no less difficult to keep a fortune than to
deserve it; and so perhaps we, who are merely 'keepers' may nevertheless
make some credit--all the more because we have been able to arrange the
wealth we found under hand, to work it profitably, to apply it well, to
elucidate it, and to make it available.  When anything new is created by
one of our circle we always link it on to the old; and in many
departments we have indeed even succeeded in soaring above the ancients,
particularly in that of the experimental sciences.  The sublime
intelligence of our forefathers commanded a broad horizon--our narrower
vision sees more clearly the objects that lie close to us.  We have
discovered the sure path for all intellectual labor, the true scientific
method; and an observant study of things as they are, succeeds better
with us than it did with our predecessors.  Hence it follows that in the
provinces of the natural sciences, in mathematics, astronomy, mechanics
and geography the sages of our college have produced works of unsurpassed
merit.  Indeed the industry of my associates--"

"Is very great," cried Euergetes.  "But they stir up such a dust that all
free-thought is choked, and because they value quantity above all things
in the results they obtain, they neglect to sift what is great from what
is small; and so Publius Scipio and others like him, who shrug their
shoulders over the labors of the learned, find cause enough to laugh in
their faces.  Out of every four of you I should dearly like to set three
to some handicraft, and I shall do it too, one of these days--I shall do
it, and turn them and all their miserable paraphernalia out of the
Museum, and out of my capital.  They may take refuge with you,
Philometor, you who marvel at everything you cannot do yourself, who are
always delighted to possess what I reject, and to make much of those whom
I condemn--and Cleopatra I dare say will play the harp, in honor of their
entering Memphis."

"I dare say!"  answered the queen, laughing bitterly.  "Still, it is to
be expected that your wrath may fall even on worthy men.  Until then I
will practise my music, and study the treatise on harmony that you have
begun writing.  You are giving us proof to-day of how far you have
succeeded in attaining unison in your own soul."

"I like you in this mood!"  cried Euergetes.  "I love you, sister, when
you are like this!  It ill becomes the eagle's brood to coo like the
dove, and you have sharp talons though you hide them never so well under
your soft feathers.  It is true that I am writing a treatise on harmony,
and I am doing it with delight; still it is one of those phenomena which,
though accessible to our perception, are imperishable, for no god even
could discover it entire and unmixed in the world of realities.  Where is
harmony to be found in the struggles and rapacious strife of the life of
the Cosmos?  And our human existence is but the diminished reflection of
that process of birth and decease, of evolution and annihilation, which
is going on in all that is perceptible to our senses; now gradually and
invisibly, now violently and convulsively, but never harmonyously.

"Harmony is at home only in the ideal world--harmony which is unknown
even among the gods harmony, whom I may know, and yet may never
comprehend--whom I love, and may never possess--whom I long for, and who
flies from me.

"I am as one that thirsteth, and harmony as the remote, unattainable
well--I am as one swimming in a wide sea, and she is the land which
recedes as I deem myself near to it.

"Who will tell me the name of the country where she rules as queen,
undisturbed and untroubled?  And which is most in earnest in his pursuit
of the fair one: He who lies sleeping in her arms, or he who is consumed
by his passion for her?

"I am seeking what you deem that you possess.--Possess--!

"Look round you on the world and on life--look round, as I do, on this
hall of which you are so proud!  It was built by a Greek; but, because
the simple melody of beautiful forms in perfect concord no longer
satisfies you, and your taste requires the eastern magnificence in which
you were born, because this flatters your vanity and reminds you, each
time you gaze upon it, that you are wealthy and powerful--you commanded
your architect to set aside simple grandeur, and to build this gaudy
monstrosity, which is no more like the banqueting-hall of a Pericles than
I or you, Cleopatra, in all our finery, are like the simply clad gods and
goddesses of Phidias.  I mean not to offend you, Cleopatra, but I must
say this; I am writing now on the subject of harmony, and perhaps I shall
afterwards treat of justice, truth, virtue; although I know full well
that they are pure abstractions which occur neither in nature nor in
human life, and which in my dealings I wholly set aside; nevertheless
they seem to me worthy of investigation, like any other delusion, if by
resolving it we may arrive at conditional truth.  It is because one man
is afraid of another that these restraints--justice, truth, and what else
you will--have received these high-sounding names, have been stamped as
characteristics of the gods, and placed under the protection of the
immortals; nay, our anxious care has gone so far that it has been taught
as a doctrine that it is beautiful and good to cloud our free enjoyment
of existence for the sake of these illusions.  Think of Antisthenes and
his disciples, the dog-like Cynics--think of the fools shut up in the
temple of Serapis!  Nothing is beautiful but what is free, and he only is
not free who is forever striving to check his inclinations--for the most
part in vain--in order to live, as feeble cowards deem virtuously, justly
and truthfully.

"One animal eats another when he has succeeded in capturing it, either in
open fight or by cunning and treachery; the climbing plant strangles the
tree, the desert-sand chokes the meadows, stars fall from heaven, and
earthquakes swallow up cities.  You believe in the gods--and so do I
after my own fashion--and if they have so ordered the course of this life
in every class of existence that the strong triumph over the weak,
why should not I use my strength, why let it be fettered by those much-
belauded soporifics which our prudent ancestors concocted to cool the hot
blood of such men as I, and to paralyze our sinewy fists.

"Euergetes--the well-doer--I was named at my birth; but if men choose to
call me Kakergetes--the evil-doer--I do not mind it, since what you call
good I call narrow and petty, and what you call evil is the free and
unbridled exercise of power.  I would be anything rather than lazy and
idle, for everything in nature is active and busy; and as, with
Aristippus, I hold pleasure to be the highest good, I would fain earn the
name of having enjoyed more than all other men; in the first place in my
mind, but no less in my body which I admire and cherish."

During this speech many signs of disagreement had found expression, and
Publius, who for the first time in his life heard such vicious sentiments
spoken, followed the words of the headstrong youth with consternation and
surprise.  He felt himself no match for this overbearing spirit, trained
too in all the arts of argument and eloquence; but he could not leave all
he had heard uncontroverted, and so, as Euergetes paused in order to
empty his refilled cup, he began:

"If we were all to act on your principles, in a few centuries, it seems
to me, there would be no one left to subscribe to them; for the earth
would be depopulated; and the manuscripts, in which you are so careful to
substitute 'siu' for 'iu', would be used by strong-handed mothers, if any
were left, to boil the pot for their children--in this country of yours
where there is no wood to burn.  Just now you were boasting of your
resemblance to Alcibiades, but that very gift which distinguished him,
and made him dear to the Athenians--I mean his beauty--is hardly possible
in connection with your doctrines, which would turn men into ravening
beasts.  He who would be beautiful must before all things be able to
control himself and to be moderate--as I learnt in Rome before I ever saw
Athens, and have remembered well.  A Titan may perhaps have thought and
talked as you do, but an Alcibiades--hardly!"

At these words the blood flew to Euergetes' face; but he suppressed the
keen and insulting reply that rose to his lips, and this little victory
over his wrathful impulse was made the more easy as Lysias, at this
moment, rejoined the feasters; he excused himself for his long absence,
and then laid before Cleopatra and her husband the gems belonging to
Publius.

They were warmly admired; even Euergetes was not grudging of his praise,
and each of the company admitted that he had rarely seen anything more
beautiful and graceful than the bashful Hebe with downcast eyes, and the
goddess of persuasion with her hand resting on the bride's arm.

"Yes, I will take the part of Peitho," said Cleopatra with decision.

"And I that of Heracles," cried Euergetes.

"But who is the fair one," asked King Philometor of Lysias, whom you have
in your eye, as fulfilling this incomparably lovely conception of Hebe?
While you were away I recalled to memory the aspect of every woman and
girl who frequents our festivals, but only to reject them all, one after
the other."

"The fair girl whom I mean," replied Lysias, "has never entered this or
any other palace; indeed I am almost afraid of being too bold in
suggesting to our illustrious queen so humble a child as fit to stand
beside her, though only in sport."

"I shall even have to touch her arm with my hand!"  said the queen
anxiously, and she drew up her fingers as if she had to touch some
unclean thing.  If you mean a flower-seller or a flute-player or
something of that kind--"

"How could I dare to suggest anything so improper?"  Lysias hastily
interposed.  "The girl of whom I speak may be sixteen years old; she is
innocence itself incarnate, and she looks like a bud ready to open
perhaps in the morning dew that may succeed this very night, but which as
yet is still enfolded in its cup.  She is of Greek race, about as tall as
you are, Cleopatra; she has wonderful gazelle-like eyes, her little head
is covered by a mass of abundant brown hair, when she smiles she has
delicious dimples in her cheeks--and she will be sure to smile when such
a Peitho speaks to her!"

"You are rousing our curiosity," cried Philometor.  "In what garden,
pray, does this blossom grow?"

"And how is it," added Cleopatra, "that my husband has not discovered it
long since, and transplanted it to our palace."

"Probably," answered Lysias, "because he who possesses Cleopatra, the
fairest rose of Egypt, regards the violets by the roadside as too
insignificant to be worth glancing at.  Besides, the hedge that fences
round my bud grows in a gloomy spot; it is difficult of access and
suspiciously watched.  To be brief: our Hebe is a water-bearer in the
temple of Serapis, and her name is Irene."




CHAPTER XI.

Lysias was one of those men from whose lips nothing ever sounds as if it
were meant seriously.  His statement that he regarded a serving girl from
the temple of Serapis as fit to personate Hebe, was spoken as naturally
and simply as if he were telling a tale for children; but his words
produced an effect on his hearers like the sound of waters rushing into a
leaky ship.

Publius had turned perfectly white, and it was not till his friend had
uttered the name of Irene that he in some degree recovered his composure;
Philometor had struck his cup on the table, and called out in much
excitement:

"A water-bearer of Serapis to play Hebe in a gay festal performance!  Do
you conceive it possible, Cleopatra?"

"Impossible--it is absolutely out of the question," replied the queen,
decidedly.  Euergetes, who also had opened his eyes wide at the
Corinthian's proposition, sat for a long time gazing into his cup in
silence; while his brother and sister continued to express their surprise
and disapprobation and to speak of the respect and consideration which
even kings must pay to the priests and servants of Serapis.

At length, once more lifting his wreath and crown, he raised his curls
with both hands, and said, quite calmly and decisively;

"We must have a Hebe, and must take her where we find her.  If you
hesitate to allow the girl to be fetched it shall be done by my orders.
The priests of Serapis are for the most part Greeks, and the high-priest
is a Hellene.  He will not trouble himself much about a half-grown-up
girl if he can thereby oblige you or me.  He knows as well as the rest of
us that one hand washes the other!  The only question now is--for I would
rather avoid all woman's outcries--whether the girl will come willingly
or unwillingly if we send for her.  What do you think, Lysias?"

"I believe she would sooner get out of prison to-day than to-morrow,"
replied Lysias.  "Irene is a lighthearted creature, and laughs as clearly
and merrily as a child at play--and besides that they starve her in her
cage."

"Then I will have her fetched to-morrow!"  said Euergetes.

"But," interrupted Cleopatra, "Asclepiodorus must obey us and not you;
and we, my husband and I--"

"You cannot spoil sport with the priests," laughed Euergetes.  "If they
were Egyptians, then indeed!  They are not to be taken in their nests
without getting pecked; but here, as I have said, we have to deal with
Greeks.  What have you to fear from them?  For aught I care you may leave
our Hebe where she is, but I was once much pleased with these
representations, and to-morrow morning, as soon as I have slept, I shall
return to Alexandria, if you do not carry them into effect, and so
deprive me, Heracles, of the bride chosen for me by the gods.  I have
said what I have said, and I am not given to changing my mind.  Besides,
it is time that we should show ourselves to our friends feasting here in
the next room.  They are already merry, and it must be getting late."

With these words Euergetes rose from his couch, and beckoned to Hierax
and a chamberlain, who arranged the folds of his transparent robe, while
Philometor and Cleopatra whispered together, shrugging their shoulders
and shaking their heads; and Publius, pressing his hand on the
Corinthian's wrist, said in his ear: "You will not give them any help if
you value our friendship; we will leave as soon as we can do so with
propriety."

Euergetes did not like to be kept waiting.  He was already going towards
the door, when Cleopatra called him back, and said pleasantly, but with
gentle reproachfulness:

"You know that we are willing to follow the Egyptian custom of carrying
out as far as possible the wishes of a friend and brother for his
birthday festival; but for that very reason it is not right in you to try
to force us into a proceeding which we refuse with difficulty, and yet
cannot carry out without exposing ourselves to the most unpleasant
consequences.  We beg you to make some other demand on us, and we will
certainly grant it if it lies in our power."

The young colossus responded to his sister's appeal with a loud shout of
laughter, waved his arm with a flourish of his hand expressive of haughty
indifference; and then he exclaimed:

"The only thing I really had a fancy for out of all your possessions you
are not willing to concede, and so I must abide by my word--or I go on my