At this moment, with a deafening din, a hundred arquebuses were

discharged close beside the smith, a dense cloud of smoke darkened the
air, and when the wind dispersed it, Adam no longer beheld the standard.
It lay on the ground; beside it the Eletto, with his face turned upward,
mute and motionless.

The father groaned aloud and closed his eyes; when he opened them,
hundreds of iron-mailed mutineers had scaled the rampart.  Beneath their
feet lay his bleeding child.

Corpse after corpse sank on the stone wall beside the fallen man, but the
iron wedge of the Spaniards pressed farther and farther forward.

"Espana, a sangre, a carne!"

Now they had reached the Walloons, steel clashed against steel, but only
for a moment, then the defenders of the city wavered, the furious wedge
entered their ranks, they parted, yielded, and with loud shrieks took to
flight.  The Spanish swords raged among them, and overpowered by the
general terror, the officers followed the example of the soldiers, the
flying army, like a resistless torrent, carrying everything with it, even
the smith.

An unparalleled massacre began.  Adam seeing a frantic horde rush into
the houses, remembered Ruth, and half mad with terror hastened back to
the smithy, where he told those left behind what he had witnessed.  Then,
arming himself and his journeymen with weapons forged by his own hand, he
hurried out with them to renew the fight.

Hours elapsed; the noise, the firing, the ringing of the alarm bells
still continued; smoke and the smell of fire penetrated through the doors
and windows.

Evening came, and the richest, most flourishing commercial capital in the
world was here a heap of ashes, there a ruin, everywhere a plundered
treasury.

Once the occupants of the smith's shop heard a band of murderers raging
and shouting outside of the smithy; but they passed by, and all day long
no others entered the quiet street, which was inhabited only by workers
in metal.

Ruth and old Rahel had remained behind, under the protection of the brave
foreman.  Adam had told them to fly to the cellar, if any uproar arose
outside the door.  Ruth wore a dagger, determined in the worst extremity
to turn it against her own breast.  What did she care for life, since
Ulrich had perished!

Old Rahel, an aged dame of eighty, paced restlessly, with bowed figure,
through the large room, saying compassionately, whenever her eyes met the
girl's: "Ulrich, our Ulrich !"  then, straightening herself and looking
upward.  She no longer knew what had happened a few hours before, yet her
memory faithfully retained the incidents that occurred many years
previous.  The maidservant, a native of Antwerp, had rushed home to her
parents when the tumult began.

As the day drew towards a close, the panes were less frequently shaken by
the thunder of the artillery, the noise in the streets diminished, but
the house became more and more filled with suffocating smoke.

Night came, the lamp was lighted, the women started at every new sound,
but anxiety for Adam now overpowered every other feeling in Ruth's mind.
Just then the door opened, and the smith's deep voice called in the
vestibule: "It is I!  Don't be frightened, it is I!"

He had gone out with five journeymen: he returned with two.  The others
lay slain in the streets, and with them Count Oberstein's soldiers, the
only ones who had stoutly resisted the Spanish mutineers and their allies
to the last man.

Adam had swung his hammer on the Mere and by the Zucker Canal among the
citizens, who fought desperately for the property and lives of their
families;--but all was vain.  Vargas's troopers had stifled even the last
breath of resistance.

The streets ran blood, corpses lay in heaps before the doors and on the
pavement--among them the bodies of the Margrave of Antwerp, Verreyck,
Burgomaster van der Mere, and many senators and nobles.  Conflagration
after conflagration crimsoned the heavens, the superb city-hall was
blazing, and from a thousand windows echoed the screams of the assailed,
plundered, bleeding citizens, women and children.

The smith hastily ate a few mouthfuls to restore his strength, then
raised his head, saying: "No one has touched our house.  The door and
shutters of neighbor Ykens' are shattered."

"A  miracle!" cried old Rahel, raising her staff.  "The generation of
vipers scent richer booty than iron at the silversmith's."

Just at that moment the knocker sounded.  Adam started up, put on his
coat of mail again, motioned to his journeymen and went to the door.

Rahel shrieked loudly: "To the cellar, Ruth.  Oh, God, oh, God, have
mercy upon us!  Quick--where's my shawl?--They are attacking us!--Come,
come!  Oh, I am caught, I can go no farther!"

Mortal terror had seized the old woman; she did not want to die.  To the
girl death was welcome, and she did not stir.

Voices were now audible in the vestibule, but they sounded neither noisy
nor threatening; yet Rahel shrieked in despair as a lansquenet, fully
armed, entered the workshop with the armorer.

Hans Eitelfritz had come to look for Ulrich's father.  In his arms lay
the dog Lelaps, which, bleeding from the wound made by a bullet, that
grazed its neck, nestled trembling against its master.

Bowing courteously to Ruth, the soldier said:

"Take pity on this poor creature, fair maiden, and wash its wound with a
little wine.  It deserves it.  I could tell you such tales of its
cleverness!  It came from distant India, where a pirate....  But you
shall hear the story some other time.  Thanks, thanks!  As to your son,
Meister, it's a thousand pities about him.  He was a splendid fellow, and
we were like two brothers.  He himself gave me the safeguard for you and
the artist, Moor.  I fastened them on the doors with my own hands, as
soon as the fray began.  My swordbearer got the paste, and now may the
writing stick there as an honorable memento till the end of the world.
Navarrete was a faithful fellow, who never forgot his friends!  How much
good that does Lelaps!  See, see!  He is licking your hands, that means,
'I thank you.'"

While Ruth had been washing the dog's wound, and the lansquenet talked of
Ulrich, her tearful eyes met the father's.

"They say he cut down twenty-one Walloons before he fell," continued
Hans.

"No, sir," interrupted Adam.  "I saw him.  He was shot before he raised
his guilty sword."

"Ah, ah!--but it happened on the rampart."

"They rushed over him to the assault."

"And there he still lies; not a soul has cared for the dead and wounded."

The girl started, and laid the dog in the old man's lap, exclaiming:
"Suppose Ulrich should be alive!  Perhaps he was not mortally wounded,
perhaps...."

"Yes, everything is possible," interrupted the lansquenet.  "I could tell
you things....  for instance, there was a countryman of mine whom, when
we were in Africa, a Moorish Pacha struck....no lies now....perhaps!  In
earnest; it might happen that Ulrich....wait....  at midnight I shall
keep guard on the rampart with my company, then I'll look...."

"We, we will seek him!"  cried Ruth, seizing the smith's arm.

"I will," replied the smith; "you must stay here."

"No, father, I will go with you."

The lansquenet also shook his head, saying "Jungfer, Jungfer, you don't
know what a day this is.  Thank Our Heavenly Father that you have
hitherto escaped so well.  The fierce lion has tasted blood.  You are a
pretty child, and if they should see you to-day...."

"No matter," interrupted the girl.  "I know what I am asking.  You will
take me with you, father!  Do so, if you love me!  I will find him, if
any one can!

"Oh, sir, sir, you look kind and friendly!  You have the guard.  Escort
us; let me seek Ulrich.  I shall find him, I know; I must seek him--I
must."

The girl's cheeks were glowing; for before her she saw her playfellow,
her lover, gasping for breath, with staring eyes, her name upon his dying
lips.

Adam sadly shook his head, but Hans Eitelfritz was touched by the girl's
eager longing to help the man who was dear to him, so he hastily taxed
his inventive brain, saying:

"Perhaps it might be risked....listen to me, Meister!  You won't be
particularly safe in the streets, yourself, and could hardly reach the
rampart without me.  I shall lose precious time;  but you are his father,
and this girl--is she his sister?--No?--So much the better for him, if he
lives!  It isn't an easy matter, but it can be done.  Yonder good dame
will take care of Lelaps for me.  Poor dog!  That feels good, doesn't it?
Well then....I can be here again at midnight.  Have you a handcart in the
house?"

For coal and iron."

"That will answer.  Let the woman make a kettle of soup, and if you have
a few hams...."

"There are four in the store-room," cried Ruth.

"Take some bread, a few jugs of wine,  and a keg of beer, too, and then
follow me quietly.  I have the password, my servant will accompany me,
and I'll make the Spaniards believe you belong to us, and are bringing my
men their supper.  Blacken your pretty face a little, my dear girl, wrap
yourself up well, and if we find Ulrich we will put him in the empty
cart, and I will accompany you home again.  Take yonder spicesack, and if
we find the poor fellow, dead or alive, hide him with it.  The sack was
intended for other things, but I shall be well content with this booty.
Take care of these silver toys.  What pretty things they are!  How the
little horse rears, and see the bird in the cage!  Don't look so fierce,
Meister!  In catching fish we must be content even with smelts; if I
hadn't taken these, others would have done so; they are for my sister's
children, and there is something else hidden here in my doublet; it shall
help me to pass my leisure hours.  One man's meat is another man's
poison."

When Hans Eitelfritz returned at midnight, the cart with the food and
liquor was ready.  Adam's warnings were unavailing.  Ruth resolutely
insisted upon accompanying him, and he well knew what urged her to risk
safety and life as freely as he did himself.

Old Rahel had done her best to conceal Ruth's beauty.

The dangerous nocturnal pilgrimage began.

The smith pulled the cart, and Ruth pushed, Hans Eitelfritz, with his
sword-bearer, walking by her side.  From time to time Spanish soldiers
met and accosted them; but Hans skilfully satisfied their curiosity and
dispelled their suspicions.

Pillage and murder had not yet ceased, and Ruth saw, heard, and
mistrusted scenes of horror, that congealed her blood.  But she bore up
until they reached the rampart.

Here Eitelfritz was among his own men.

He delivered the meat and drink to them, told them to take it out of the
cart, and invited them to fall to boldly.  Then, seizing a lantern, he
guided Ruth and the smith, who drew the light cart after them, through
the intense darkness of the November night to the rampart.

Hans Eitelfritz lighted the way, and all three searched.  Corpse lay
beside corpse.  Wherever Ruth set her foot, it touched some fallen
soldier.  Dread, horror and loathing threatened to deprive her of
consciousness; but the ardent longing, the one last hope of her soul
sustained her, steeled her energy, sharpened her sight.

They had reached the centre of the rampart, when she saw in the distance
a tall figure stretched at full length.

That, yes, that was he!

Snatching the lantern from the lansquenet's hand, she rushed to the
prostrate form, threw herself on her knees beside it, and cast the light
upon the face.

What had she seen?

Why did the shriek she uttered sound so agonized?  The men were
approaching, but Ruth knew that there was something else to be done,
besides weeping and wailing.

She pressed her ear close to the mailed breast to listen, and when she
heard no breath, hurriedly unfastened the clasps and buckles that
confined the armor.

The cuirass fell rattling on the ground, and now--no, there was no
deception, the wounded man's chest rose under her ear, she heard the
faint throbbing of his heart, the feeble flutter of a gasping breach.

Bursting into loud, convulsive weeping, she raised his head and pressed
it to her bosom.

"He is dead; I thought so!"  said the lansquenet, and Adam sank on his
knees before his wounded son.  But Ruth's sobs now changed to low,
joyous, musical laughter, which echoed in her voice as she exclaimed:
"Ulrich breathes, he lives!  Oh, God! oh, God!  how we thank Thee!"

Then--was she deceived, could it be?  She heard the inflexible man beside
her sob, saw him bend over Ulrich, listen to the beating of his heart,
and press his bearded lips first to his temples, then on the hand he had
so harshly rejected.

Hans Eitelfritz warned them to hasten, carried the senseless man, with
Adam's assistance, to the cart, and half an hour later the dangerously
wounded, outcast son was lying in the most comfortable bed in the best
room in his father's house.  His couch was in the upper story; down in
the kitchen old Rahel was moving about the hearth, preparing her "good
salve" herself.  While thus engaged she often chuckled aloud, murmuring
"Ulrich," and while mixing and stirring the mixture could not keep her
old feet still; it almost seemed as if she wanted to dance.

Hans Eitelfritz promised Adam to tell no one what had become of his son,
and then returned to his men.  The next morning the mutineers from Aalst
sought their fallen leader; but he had disappeared, and the legend now
became wide-spread among them, that the Prince of Evil had carried
Navarrete to his own abode.  The dog Lelaps died of his wound, and
scarcely a week after the pillage of flourishing Antwerp by the "Spanish
Furies," Hans Eitelfritz's regiment was ordered to Ghent.  He came with
drooping head to the smithy, to take his leave.  He had sold his costly
booty, and, like so many other pillagers, gambled away the stolen
property at the exchange.  Nothing was left him of the great day in
Antwerp, except the silver toys for his sister's children in Colln on the
Spree.





CHAPTER XXXI.

The fire in the smithy was extinguished, no hammer fell on the anvil;
for the wounded man lay in a burning fever; every loud noise disturbed
him.  Adam had noticed this himself, and gave no time to his work, for
he had to assist in nursing his son, when it was necessary to raise his
heavy body, and to relieve Ruth, when, after long night-watches, her
vigorous strength was exhausted.

The old man saw that the girl's bands were more deft than his own toil-
hardened ones, and let her take the principal charge-but the hours when
she was resting in her room were the dearest to him, for then he was
alone with Ulrich, could read his countenance undisturbed and rejoice in
gazing at every feature, which reminded him of his child's boyhood and of
Flora.

He often pressed his bearded lips to the invalid's burning forehead or
limp hand, and when the physician with an anxious face had left the
house, he knelt beside Ulrich's couch, buried his forehead among the
pillows, and fervently prayed the Heavenly Father, to spare his child and
take in exchange his own life and all that he possessed.

He often thought the end had come, and gave himself up without resistance
to his grief; Ruth, on the contrary, never lost hope, not even in the
darkest hours.  God had not let her find Ulrich, merely to take him from
her again.  The end of danger was to her the beginning of deliverance.
When he recognized her the first time, she already saw him, leaning on
her shoulder, walk through the room; when he could raise himself, she
thought him cured.

Her heart was overflowing with joy, yet her mind remained watchful and
thoughtful during the long, toilsome nursing.  She did not forget the
smallest trifle, for before she undertook anything she saw in her mind
every detail involved, as if it were already completed.  Ulrich took no
food which she had not prepared with her own hand, no drink which she had
not herself brought from the cellar or the well.  She perceived in
advance what disturbed him, what pleased him, what he needed.  If she
opened or closed the curtain, she gave or withheld no more light than was
agreeable to him; if she arranged the pillows behind him, she placed them
neither too high nor too low, and bound up his wounds with a gentle yet
firm hand, like an experienced physician.  Whatever he felt--pain or
comfort--she experienced with him.

By degrees the fever vanished; consciousness returned, his pain lessened,
he could move himself again, and began to feel stronger.  At first he did
not know where he was; then he recognized Ruth, and then his father.

How still, how dusky, how clean everything that surrounded him was!
Delightful repose stole over him, pleasant weariness soothed every stormy
emotion of his heart.  Whenever he opened his eyes, tender, anxious
glances met him.  Even when the pain returned he enjoyed peaceful,
consoling mental happiness.  Ruth felt this also, and regarded it as a
peerless reward.

When she entered the sick-room with fresh linen, and the odor of lavender
her dead mother had liked floated softly to him from the clean sheets, he
thought his boyhood had returned, and with it the wise, friendly doctor's
house.  Elizabeth, the shady pine-woods of his home, its murmuring brooks
and luxuriant meadows, again rose before his mind; he saw Ruth and
himself listening to the birds, picking berries, gathering flowers, and
beseeching beautiful gifts from the "word."  His father appeared even
more kind, affectionate, and careful than in those days.  The man became
the boy again, and all his former good traits of character now sprang up
freshly under the bright light and vivifying dew of love.

He received Ruth's unwearied attentions with ardent gratitude, and when
he gazed into her faithful eyes, when her hand touched him, her soft,
deep voice penetrated the depths of his soul, an unexampled sense of
happiness filled his breast.

Everything, from the least to the greatest, embraced his soul with the
arms of love.  It seemed as if the ardent yearning of his heart extended
far beyond the earth, and rose to God, who fills the universe with His
infinite paternal love.  His every breath, Ulrich thought, must
henceforth be a prayer, a prayer of gratitude to Him, who is love itself,
the Love, through and in which he lived.

He had sought love, to enjoy its gifts; now he was glad to make
sacrifices for its sake.  He saw how Ruth's beautiful face saddened when
he was suffering, and with manly strength of will concealed inexpressible
agony under a grateful smile.  He feigned sleep, to permit her and his
father to rest, and when tortured by feverish restlessness, lay still
to give his beloved nurses pleasure and repay their solicitude.
Love urged him to goodness, gave him strength for all that is good.
His convalescence advanced and, when he was permitted to leave his bed,
his father was the first one to support him through the room and down the
steps into the court-yard.  He often felt with quiet emotion the old man
stroke the hand that rested on his arm, and when, exhausted, he returned
to the sick-room, he sank with a grateful heart into his comfortable
seat, casting a look of pleasure at the flowers, which Ruth had taken
from her chamber window and placed on the table beside him.

His family now knew what he had endured and experienced, and the smith
found a kind, soothing word for all that, a few months before, he had
considered criminal and unpardonable.

During such a conversation, Ulrich once exclaimed "War!  You know not how
it bears one along with it; it is a game whose stake is life.  That of
others is of as little value as your own; to do your worst to every one,
is the watchword; but now--every thing has grown so calm in my soul, and
I have a horror of the turmoil in the field.  I was talking with Ruth
yesterday about her father, and she reminded me of his favorite saying,
which I had forgotten long ago.  Do you know what it is?  'Do unto
others, as ye would that others should do unto you.'  I have not been
cruel, and never drew the sword out of pleasure in slaying; but now I
grieve for having brought woe to so many!

"What things were done in Haarlem!  If you had moved there instead of to
Antwerp, and you and Ruth....I dare not think of it!  Memories of those
days torture me in many a sleepless hour, and there is much that fills me
with bitter remorse.  But I am permitted to live, and it seems as if I
were new-born, and henceforth existence and doing good must be synonymous
to me.  You were right to be angry...."

"That is all forgiven and forgotten," interrupted the smith in a resonant
voice, pressing his son's fingers with his hard right hand.

These words affected the convalescent like a strengthening potion, and
when the hammers again moved in the smithy, Ulrich was no longer
satisfied with his idle life, and began with Ruth to look forward to and
discuss the future.

The words: 'fortune,' 'fame,' 'power,"' he said once, "have deceived me;
but art!  You don't know, Ruth, what art is!  It does not bestow
everything, but a great deal, a great deal.  Meister Moor was indeed
a teacher!  I am too old to begin at the beginning once more.  If it were
not for that...."

"Well, Ulrich?"

"I should like to try painting again."

The girl exhorted him to take courage, and told his father of their
conversation.  The smith put on his Sunday clothes and went to the
artist's house.  The latter was in Brussels, but was expected home soon.

From this time, every third day, Adam donned his best clothes, which
he disliked to wear, and went to the artist's; but always in vain.

In the month of February the invalid was playing chess with Ruth,--
she had learned the game from the smith and Ulrich from her,--when Adam
entered the room, saying: "when the game is over, I wish to speak to you,
my son."

The young girl had the advantage, but instantly pushed the pieces
together and left the two alone.

She well knew what was passing in the father's mind, for the day before
he had brought all sorts of artist's materials, and told her to arrange
the little gable-room, with the large window facing towards the north,
and put the easel and colors there.  They had only smiled at each other,
but they had long since learned to understand each other, even without
words.

"What is it?" asked Ulrich in surprise.

The smith then told him what he had provided and arranged, adding: "the
picture on the standard--you say you painted it yourself."

"Yes, father."

"It was your mother, exactly as she looked when....She did not treat
either of us rightly--but she!--the Christian must forgive;--and as she
was your mother--why--I should like....  perhaps it is not possible; but
if you could paint her picture, not as a Madonna, only as she looked when
a young wife...."

"I can, I will!" cried Ulrich, in joyous excitement.  "Take me upstairs,
is the canvas ready?"

"In the frame, firmly in the frame!  I am an old man, and you see, child,
I remember how wonderfully sweet your mother was; but I can never succeed
in recalling just how she looked then.  I have tried, tried thousands and
thousands of times; at--Richtberg, here, everywhere--deep as was my
wrath!"

"You shall see her again surely--surely!" interrupted Ulrich.  "I see her
before me, and what I see in my mind, I can paint!"

The work was commenced the very same day.  Ulrich now succeeded
wonderfully, and lavished on the portrait all the wealth of love, with
which his heart was filled.

Never had he guided the brush so joyously; in painting this picture he
only wished to give, to give--give his beloved father the best he could
accomplish, so he succeeded.

The young wife, attired in a burgher dress, stood with her bewitching
eyes and a melancholy, half-tender, half-mournful smile on her lips.

Adam was not permitted to enter the studio again until the portrait was
completed.  When Ulrich at last unveiled the picture, the old man--unable
longer to control himself--burst into loud sobs and fell upon his son's
breast.  It seemed to Adam that the pretty creature in the golden frame
--far from needing his forgiveness--was entitled to his gratitude for
many blissful hours.

Soon after, Adam found Moor at home, and a few hours later took Ulrich
to him.  It was a happy and a quiet meeting, which was soon followed by a
second interview in the smith's house.

Moor gazed long and searchingly at Ulrich's work.  When he had examined
it sufficiently, he held out his hand to his pupil, saying warmly:

"I always said so; you are an artist!  From to-morrow we will work
together again, daily, and you will win more glorious victories with the
brush than with the sword."

Ulrich's cheeks glowed with happiness and pride.

Ruth had never before seen him look so, and as she gazed joyfully into
his eyes, he held out his hands to her, exclaiming: "An artist, an artist
again!  Oh, would that I had always remained one!  Now I lack only one
thing more--yourself!"

She rushed to his embrace, exclaiming joyously "Yours, yours!  I have
always been so, and always shall be, to-day, to-morrow, unto death,
forever and ever!"

"Yes, yes," he answered gravely.  "Our hearts are one and ever will be,
nothing can separate them; but your fate shall not be linked to mine
till, Moor himself calls me a master.  Love imposes no condition--I am
yours and you are mine--but I impose the trial on myself, and this time I
know it will be passed."

A new spirit animated the pupil.  He rushed to his work with tireless
energy, and even the hardest task became easy, when he thought of the
prize he sought.  At the end of a year, Moor ceased to instruct him,
and Ruth became the wife of Meister Ulrich Schwab.

The famous artist-guild of Antwerp soon proudly numbered him among
them, and even at the present day his pictures are highly esteemed by
connoisseurs, though they are attributed to other painters, for he never
signed his name to his works.

Of the four words, which illumined his life-path as guiding-stars, he had
learned to value fame and power least; fortune and art remained faithful
to him, but as the earth does not shine by its own might, but receives
its light from the sun, so they obtained brilliancy, charm and endearing
power through love.

The fierce Eletto, whose sword raged in war, following the teachings of
his noble Master, became a truly Christian philanthropist.

Many have gazed with quiet delight at the magnificent picture, which
represents a beautiful mother, with a bright, intelligent face, leading
her three blooming children towards a pleasant old man, who holds out his
arms to them.  The old man is Adam, the mother Ruth, the children are the
armorer's grandchildren; Ulrich Schwab was the artist.

Meister Moor died soon after Ulrich's marriage, and a few years after,
Sophonisba di Moncada came to Antwerp to seek the grave of him she had
loved.  She knew from the dead man that he had met his dear Madrid pupil,
and her first visit was to the latter.

After looking at his works, she exclaimed:

"The word!  Do you remember, Meister?  I told you then, that you had
found the right one.  You are greatly altered, and it is a pity that you
have lost your flowing locks; but you look like a happy man, and to
what do you owe it?  To the word, the only right word: 'Art!'"

He let her finish the sentence, then answered gravely "There is still a
loftier word, noble lady!  Whoever owns it--is rich indeed.  He will no
longer wander--seek in doubt.

"And this is?"  she asked incredulously, with a smile of superior
knowledge.

"I have found it," he answered firmly.  "It is 'Love.'"

Sophonisba bent her head, saying softly and sadly: "yes, yes--love."






ETEXT EDITOR'S BOOKMARKS OF THE ENTIRE "A WORD, ONLY A WORD"

Among fools one must be a fool
He was steadfast in everything, even anger
No one we learn to hate more easily, than the benefactor
Once laughed at a misfortune, its sting loses its point
To expect gratitude is folly
Whoever condemns, feels himself superior